Realization of a series which aims to create a visual analysis on landscapes of the Ostrobothnia region and the relationship that it has with the community. I am particularly interested in the mutual relationship of the community with the environment, and also from an anthropological point of view I want to examine images, places, people, signs, and traces, between past and present. This project is kindly supported by Svenska Kulturfonden.
This series of works is based on an aesthetic research of shape, color, texture and abstract gestures. Using the canvas of much larger dimensions than those of the wooden board on which it is applied, the artist tried to make the canvas fit in around the wooden square by bending(folding) it in spontaneous and instinctive ways and shapes. In this way each work gives an unexpected result even for the artist himself. Everything is simply focus on the very basic elements of the painting.
Realization of a series which aims to create a visual analysis on landscapes of the Ostrobothnia region and the relationship that it has with the community. I am particularly interested in the mutual relationship of the community with the environment, and also from an anthropological point of view I want to examine images, places, people, signs, and traces, between past and present. This project is kindly supported by Svenska Kulturfonden.
Member of Yö ry | Member of Finnish Painters' Union ry | Artists Bank of Rakennustieto rts sr | Creatives Database of Globe Art Point Helsinki ry | Artist / Member of Art in Malakta rf
Group exhibition Gamla Brandkårshuset ( Pietarsaari/Jakobstad, Finland, May 2023). Displayed art: Untitled, Bekim Hasaj, 2021 Acrylic and spray colors on canvas.
Duo exhibition at Albert IX (Helsinki, Finland, January 2023). Displayed art: Scanning Landscape Project by Bekim Hasaj, 2021-22 Casts of plaster and wax, prints on paper with organic material and color, acrylic and photographic transfer on canvas.
Group exhibition, curator Marcus Lerviks, pop-up space in Varastokatu 6, 65100 Vaasa (Finland, May-June 2022). Displayed art: Scanning Landscape Project by Bekim Hasaj, 2021-22 Mural painting site-specific acrylic on different material.
Group exhibition Gamla Brandkårshuset ( Pietarsaari/Jakobstad, Finland, May 2023). Displayed art: Untitled, Bekim Hasaj, 2021 Acrylic and spray colors on canvas.
Portfolio on the Artist Register by Artists' Association of Finland
Seeking an approach towards transdisciplinarity, open and ready to experiment outside my primary field of study, I remain strongly connected to it. By questioning representation and content, my artistic research focuses on the fundamental and constituent elements of a pictorial work: colors, forms, gestures, space and support.
In a broader view, I aim at understanding the genesis of artistic creation, to be able to apply and test it in different categories, disciplines, mediums, or languages. For this reason, I often find myself experimenting with photography, installation, sculpture, video art etc.
As I am interested in the multidimensions that these mediums can touch, and I always try to do it starting from my basic point, painting.
I like to reflect in terms of co-existence, visible and not, known or unknown, which I see as a parable of my process of art-making.
On the theoretical level, I am interested in psychology, philosophy, and social and anthropological themes, developing and studying them in a form of self-analysis and self-perception. Nevertheless, I believe that to be aware of the totality, one must also be aware of the self.
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